This isn't a political blog, but if you've checked it out, you've probably noticed politics ocassionally creeping in...I'm a Washingtonian, I can't help it. You may have also picked up on my generally left leanings...again, Washingtonian (the kind that actually lives in the District) - can't be hepled. Imagine my surprise, then, when I found myself agreeing with the sentiments of Mr. Homosexuals-Are-Deviants himself, former Sen. Rick Santorum, in a Philadelphia Inquirer op-ed of his.
Santorum, now a senior fellow at the Ethics and Public Policy Institute in DC, addressed his belief that the newest generation of filmmakers, products of Baby Boomers, are creating work that can counter, or at least show the negative consequences of, the "free love" ideology closely associated with their parents' generation, and the attitude of relative ambivalence toward divorce and abortion it helped to create.
Now, I have little interest in e-debating the merits of culture war arguments, and I hardly think, as Santorum suggests, that movies like Juno, Knocked Up, and Waitress signify that the "recognition of life in the womb is going mainstream." (Is that not already a "mainstream" understanding?) But, as a product of divorce who has always at least struggled with abortion, those and other films by young filmmakers with similar messages have resinated with me for their positive themes.
As Santorum emphasizes, these aren't pro-life movies, with all the baggage and ambiguity that comes with that terminology. They are life-affirming stories, and, says Santorum, "There is lived experience, emotional understanding, hard-earned authenticity at the heart of these scripts. And pain." The strength of these films, as Terry Mattingly points out, is that they aren't preachy, as so many obvious, cloying message movies are. While such reactions might be "spoiling the fun" of pro-choice (with all the baggage and ambiguity that comes with that terminology) Juno almost-fans like Mark Harris, if any movie gets Rick Santorum and I to find common ground, I'd say it's culturally significant.